This waltz feel meshed perfectly with the lyrics, where the protagonist dances with the Divine Lady at a ball. I studied piano since the age of six: Where did you come from? It's been a deep pleasure to perform in this manner, and I find myself perfectly in tune with our objectives. This is the song that we first showed Beth Carvalho, and she was sincerely touched by our singing. 
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A fundamental question for me is the repertoire. By fireworks I mean virtuoso passages, which in Cartola's romantic tunes cannot be used so often.
At the age of six I began my music studies on the piano, the instrument I still use to create my arrangements. I like this track very much for many reasons, and one that I like to point out is the piano sound that our producer Armando Telles was able to create.
PerformerInstrumentalistSinger. My arrangement begins with the option of having Rita, with her powerful voice and attitude, take the part of the man, and the rest of us taking the part of the woman. Arranco comprises five singers: Recording 1 edition published in in Portuguese and held by 1 WorldCat member library worldwide. I already knew all the members and thought that it could be an excellent idea to sing samba with friends.
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I love our shows, they're fun! Paulinho and I have been talking about doing something involving samba for quite a while when he returned from his studies abroad with this ingenious idea of founding a conjunto vocal dedicated exclusively to samba.
It was always fun.
Came back with the idea of restarting a vocal thing, but this time specifically samba. Soon I was attempting to join my abilities as a pianist to the vocal possibilities of the group, and we developed a simple rhythm section: He sells mate on the beach, she spends the food tickets on booze, he's jealous and she's not trustworthy.
Cello, piano, upright bass, and vocals make a delicate and haunting setting for Codinga deep interpretation. Anyhow, the group needed a tune like this to be used as self-reference, and I'd been thinking about it for a while.
4 Ases e 1 Coringa (Musical group)
We recorded it again on our second album in a slightly different version. Si eu pudesse Recording 1 edition published in in Portuguese and held by 1 WorldCat member library worldwide.
Send your comments to Brazzil. The intro had been originally conceived for piano, guitars, and mandolin, and I transposed it to voices. It's been a deep pleasure to perform in this manner, and I find myself perfectly in tune with our objectives.
I joined Arranco in October My contribution as arranger, other than harmonizing the voices, was especially the bass line of the main refrain and the intro and coda that, I believe, became organic parts of the tune. Vocal formations vary with each song, and the members also carry on solo careers.
When we were invited to do the Cartola tribute show, I immediately thought of this song, sung by Rita, and it appears that I was right. This song has all its drama in the second part, and for this reason I put the vocal harmonizations only there.
Ary Barroso Discography | –
Quatro ases e um coringa. With Cartola we learned to be economical. As ofthe group is a quartet performing a repertoire of traditional MPB, newer music, and their own compositions.
We released two albums at Polygram and toured Brazil's main capitals between and Leblon has terrible distribution.
Although the established conjuntos vocais have maintained their presence in the musical market with greater or lesser relevance, fewer and fewer new vocal groups have been coming into prominence as the decades marched toward the end of the century. This pair of composers, Pedro Caetano and Claudionor Cruz, belongs to the brilliant generation of the '40s.
Of course I could also look at my own country from an outsider's point of view and be reassured that Brazil's gift of music is extraordinary, and samba is certainly its most outstanding form. Parallel to this, I developed keyboard playing with many different artists and instrumental groups.
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